Thurs 16th October we woke up
with blurry eyes, sore arseholes and a hotel deposit to try to blag back.
That’s a lie, the hotel (more a building nestled neatly behind a closed down
petrol station in the middle of the dog end of Hackney) wasn’t of deposit quality,
thankfully – the donner meat we’d thrown across the wall in a flurry of
post-exhibition ecstasy and pure gin-soaked tomfoolery would’ve rendered us
skint.
But, alas! We had a date with the Frieze
art fair 2014 to attend, we would be once again gorging ourselves and wandering
starry eyed through the corridors of those that had blagged their way into
being somehow more successful than us. Cheeky buggers, boring hairy fannied
Europeans, political satirists and art world powerhouses unite in a spicy conceptual
soup in the middle of the lucrative Regents Park.
The first thing of note, and probably THE
best piece of preserved perfected sculptural, performative genius we witnessed
all day was the incredible quality of the people who attended; we had never seen
such a concentrated amount of beautifully placid, yet confident, HD eye-browed
faces in all of our lives. Worth noting is the new London look which if you
haven’t cottoned on to yet involves wearing a plain cotton t-shirt and no bra.
Prominent nipples – a point in the right direction. We’ve been wearing ours
like this ever since.
On to the art then (after a stop for
expensive lemonade lies and sausage roll envy) – we sauntered through the
haunting white walls looking to be amused, turned on or appalled (or all 3 at
once).
The first work that caught our eye was a
dramatic bronze sculpture of death titled ‘The Thorny Road of Food Digestion’
produced this year by the Chinese master of the absurd Chen Xiaoyun.
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Spikey Poo |
Its intimidating spikey frame appealing to
our typically spikey nature, and its always to come face to face with a piece
of art that is both actually physically dangerous and reminds you of poo.
We mosied on, sifting our way through what
seemed like endless sculptures of things with feet and ceramics (on trend this
year), desperate for some awkward interaction with the typically sour-faced
gallery representatives. To no avail, they had business to do on their ipads of
course (POF).
Heres a picture of Grimes doing what Grimes’s
do best: pointing at an arse. This one wasn’t soft and rubbery like usual
though, it was a screen with some form of endless boring pattern going on.
Kudos for the arse screen revolution though, we’re hoping it might catch on and
we could watch Back to the Future on a long journey off a kind ladies arse.
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Lace-mouth |
Of
course, this digital derriere was produced by female artist Shana Moulton (but
you knew that already didn’t you?)
On to the next one, and our particular
favorite from the whole fair Cathy Wiles ‘untitled’ (poor effort Cath, look at
your game girl).
This cotton headed little cutie really caught our imagination,
we wanted to take it home and eat milk-bottle sweets with it and maybe one
thing might lead to another. You know how it is. Take a bow Cathy, you warmed
our hearts and helped create a moment of Snapchat admiration.
Gagosian can hold its massive swollen head
up high for its inspired decision to bring a Gartenkinder to Frieze. This was
art how it should be presented, breaking down all the cold barriers of gallery
walls and building a literal playground for two giddy goats like me and him to
touch and smell and wobble without the risk of another telling off. Heres
Carston Hollers ‘Octopus’ being fondled by us two handsome cupcakes.
But you’d be a fool to think that we
enjoyed the Gagosian room the most, we found solace in another New York
galleries space: Salon 94. They attracted plenty of press with a loaned in
presentation of the ‘Museum of Smile Face’ but beyond the big smiley behemoth
we were seduced by the mucky sweet appeal of
a painting titled ‘Black Ice Cream’ by Katherine Bernhardt.
Everyone’s favorite cocktail ingredients
submerged in a sea of black joy, its hard not to want to dance your pants off
looking at a painting this wonderful.
Other than all the shit-hot art and the
dredged up pretentious cold custard art we celebrated we found the whole
experience tremendously inspiring and bonding and it is safe to say we will be
friends for at least another year.